Kevin J. Anderson’s Blog

I write. I make up stuff. I adventure hard, so you don’t have to.
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  • May 2012
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    HELLHOLE AWAKENING cover sketch

    Posted By Kevin J. Anderson on May 11, 2012

    As Brian and I finish up the final read and polish of the manuscript of HELLHOLE AWAKENING (639 pages), we just received the remarkable cover sketch from Stephen Youll.  Steve has done many of our covers for years—most of the Dune novels, HELLHOLE, my three Star Wars anthologies, and BLINDFOLD. After working with our editor Pat LoBrutto, Brian and I suggested this scene to Steve, gave him the draft manuscript, and let him visualize it.

    You can see why we keep going back to Steve. This really captures what we were looking for, the grim landscape of Hellhole, the epic scope, and the strange plant that symbolizes the planet’s “awakening.”  In the sketch, the plant looks too much like a normal Venus flytrap, so the plant will be modified, but this is the basic cover.

    HELLHOLE AWAKENING is scheduled for February 2013 release.

     

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    Cover released for CLOCKWORK ANGELS: The Novel

    Posted By Kevin J. Anderson on May 10, 2012

    We’re very pleased to show off the just-released cover for Clockwork Angels: The Novel—one of my most beautiful covers ever. The central image is from the forthcoming Rush album, with the type and cover design by Neil Peart and Hugh Syme.  ECW will publish the hardcover in September (available for preorder now), a full-color volume with paintings and complete lyrics (and the novel itself, of course). From the sample pages I’ve seen already, this will be a gorgeous book.

    The novel is a colorful steampunk fantasy, and I think it has a great deal of heart. Neil and I are very pleased with how it turned out—the creative synergy was amazing. Clockwork Angels: The Novel follows the story mapped out in the songs of the album, but the book isn’t only for Rush fans (then again, who isn’t a Rush fan???). I hope you’ll all enjoy the read.

    Three of the tracks have already been released, which give a glimpse of the story: Caravan, BU2B, and Headlong Flight. The album itself comes out June 12.

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    FEELING LIKE A SUPERSTAR

    Posted By Kevin J. Anderson on May 8, 2012

    Rebecca and I just came back home from Las Vegas and the third—and, by all accounts, best ever—Superstars Writing Seminar. We had about sixty very dedicated students at the Golden Nugget, and instructors Brandon Sanderson, David Farland, Eric Flint, Rebecca Moesta, and me, as well as guest speakers Dean Wesley Smith and James A. Owen, and guest pro attendees bestselling dark-fantasy author Vicki Pettersson, comics writer Mike Baron, and Arc Manor publisher Shahid Mahmoud.

    photo by Robert J McCarter

    Rebecca and I flew out a few days early to visit my parents in Arizona, my sister and niece in Las Vegas, and to begin setting up. Our friend Bob Fleck had helped us store boxes in his house, and we rounded them up on Sunday. Superstars alumni staff Brad Torgersen, Moses Sirigar, and Stone Sanchez came in to work the seminar. When we began setting up the room on Sunday night, many of the attendees stopped by early to help out and we had all the help we could handle!

    When we opened the seminar on Monday morning, I had a raging eye infection that made it nearly impossible to focus on the extensive bios I was supposed to read for all the instructors. One of our guest instructors, Kristine Kathryn Rusch, had to cancel at the last minute when her doctor told her she wasn’t allowed to fly.  I was starting to worry about karma …

    But Brandon Sanderson gave the opening talk on going from an unknown writer to a #1 bestseller in four years. Then Eric Flint explained in detail the economics of the publishing business, and we had a vigorous panel on networking, a great lunch with a group of students. Everything was energetic and smooth, going without a hitch…except my eye infection had gotten so bad I was seeing bright rainbows around every light (no unicorns, though). I looked up the symptoms, only to find that it was a “medical emergency—get to a hospital right away.”  And I had three hours scheduled on stage. I managed to get hold of my eye doctor back in Colorado, who called an emergency prescription to a local pharmacy, Brad Torgersen ran back and forth to get it filled from an uncooperative pharmacist, while I tried to concentrate on my panels. (Since I was from out of state, he refused to take my insurance card, or credit card, insisted on $117 in cash—and acted like I was trying to score oxycontin instead of eye drops.)  Nevertheless, I did get the prescription—thanks, Brad!—and participated in a wide-ranging discussion on eBooks and indy publishing, another panel on self-promotion, then I closed out the day with my speech on the “popcorn theory of success.”

    Rebecca and Kevin
    (photo by Nancy Greene)

    Dean Wesley Smith and James A Owen
    (photo by Robert J. McCarter)

    Brandon Sanderson, Rebecca Moesta, and James A Owen
    (photo by Robert J. McCarter)

    Some of the best parts of Superstars are after hours, when the students and instructors network (i.e., hang out and talk business). We hosted a mixer in the Golden Nugget, got to know more of the students, and joined Dean Wesley Smith as well as Brandon Sanderson and his wife for dinner. And I had already found a microbrewery at the Four Queens Casino across the street, which was a good evening hangout for the rest of the seminar.

    Superstars mixer
    (photo by Francis Bruno)

    Tuesday began with Rebecca’s talk on the myths of publishing, Dean’s talk on negotiating, a panel on editors and breaking through the slushpile, Eric’s breakdown of a publishing contract, then another lunch with the students. After lunch we opened with Dean’s talk on copyright, a panel on agents, Rebecca and I lectured on professionalism, and then James Owen gave a very inspirational talk, “Drawing out the Dragons.”

    Dean Wesley Smith and David Farland
    (photo by Robert J. McCarter)

    Drawing out the Dragons
    (photo by Robert J. McCarter)

    A real highlight of the seminar was the VIP dinner at the Fogo de Chao Brazilian steakhouse; we took two buses to the restaurant, and each instructor had a table with 4-5 students and a spectacular amount of delicious meats, side dishes, salads, and a dessert. Then another after-hours gathering at the brewery in the Four Queens, after watching the amazing Fremont Street Experience show.

    The Fremont St Experience

    The final day opened with Rebecca’s talk on ergonomics for the writer, then David Farland’s talk on audience analysis, a panel on pitches and query letters, a panel on young adult fiction, lunch with the students, then a panel on intellectual property (joined by IP attorney M. Scott Boone), my talk on writing productivity, and a final session on managing a writing career with real life.  After one last Q&A session, we wrapped up the seminar—and then were overwhelmed with help from many of the students, breaking down the room, packing up all the boxes, exhausting…exhilarating.

    Networking
    (photo by Robert J. McCarter)

    Superstars 2102: Dean Wesley Smith, David Farland, James A Owen, Brandon Sanderson, Kevin J. Anderson, Rebecca Moesta
    (photo by Nancy Greene)

    There is no other seminar like this to give serious writers a detailed, unvarnished picture of writing, publishing, and how to manage your career.

    The attendees had a great time, and even the instructors were inspired, energized, and very much determined: Yes, we will definitely do it again. The next Superstars Writing Seminar will be in Denver in 2013. As soon as we set a date, we’ll let you know.

     

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    Rush “Headlong Flight” from CLOCKWORK ANGELS

    Posted By Kevin J. Anderson on April 25, 2012

    Rush has released a new single from their forthcoming CD Clockwork Angels, “Headlong Flight”—so fans can start gathering more pieces of the wonderful steampunk adventure story told by the music in the album and in the Clockwork Angels novel I’m writing with Rush drummer and lyricist Neil Peart.

    Listen to “Headlong Flight” in their music video with lyrics.  http://www.youtube.com/watch?v=ZcFGrWjOX0E

    You might get some hints of a few scenes in the novel.

    Rush has previously released two other tracks from Clockwork Angels“Caravan” and “BU2B” (which form the first section of the novel). Neil and I have been through four complete drafts of the novel and the manuscript is nearly finished—we’re very pleased with it.  The CD will be released on June 12.  Preorder a copy here.

    The novel is due out on Sept 1. Preorder a copy here.

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    Full Schedule for Superstars Writing Seminar

    Posted By Kevin J. Anderson on April 23, 2012

    One week from today the third Superstars Writing Seminar launches at the Golden Nugget in Las Vegas.  Here is the detailed schedule for the lectures. We hope to see you there!

    MONDAY

    8:00 AM Intro, seminar overview, introduce speakers
    8:30 From a Newbie to #1 Bestseller in 4 Years
    Brandon Sanderson
    9:30 It’s Business: How Publishing Economics Works
    Eric Flint
    10:30 Building Your Network
    Rebecca Moesta, James A. Owen, David Farland
    1:00 PM Indie-Publishing & Ebooks: Free For All
    David Farland, Rebecca Moesta, Kevin J. Anderson, Eric Flint
    3:00 Getting Noticed: Self-Promotion for Authors
    Kevin J. Anderson, Brandon Sanderson, David Farland, James Owen
    4:00 One Thing Leads to Another: Popcorn Theory
    Kevin J. Anderson
    4:45–5:30 open Q&A session

    Evening:  Welcome mixer/reception

    TUESDAY

    8:30 AM Myths of Publishing
    Rebecca Moesta
    9:00 Copyright basics
    Dean Wesley Smith
    10:00 Climbing the Slushpile: How editors look at manuscripts
    Kristine Kathryn Rusch, Kevin J. Anderson, Eric Flint, David Farland
    11:00 Dissecting a Contract
    Eric Flint
    1:30  Negotiating
    Kristine Kathryn Rusch
    2:30  Agents: the “A” word
    Brandon Sanderson, Dean Welsey Smith, David Farland
    3:30   “Dirty Secrets”: Being a Professional Author
    Kevin J. Anderson, Rebecca Moesta
    4:30 Drawing out the Dragons
    James A. Owen
    5:15–5:45 Open session:  Q&A

    VIP Dinner: Fogo de Chao Brazilian steakhouse

    WEDNESDAY

    8:30 AM Ergonomics: When Writing Gets to Be a Pain
    Rebecca Moesta
    9:00 Selling Before You Write: Audience Analysis
    David Farland
    10:00 Windup and the Pitch (pitches, queries, proposals, treatments)
    Kevin J. Anderson, Kristine Kathryn Rusch, Eric Flint
    11:00 Young Adult
    Brandon Sanderson, James Owen, Rebecca Moesta
    1:30 Intellectual Property: How to Exploit Yours
    David Farland, James A. Owen, Dean Welsey Smith, M. Scott Boone
    2:30 Eleven Tips to Increase Your Writing Productivity
    Kevin J. Anderson
    3:30 Being a Writer and a Real Person at the Same Time
    All
    4:30 Open session:  Q&A

     

     

     

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    Hollywood, Yuri Gagarin, and Writers of the Future

    Posted By Kevin J. Anderson on April 22, 2012

    Last weekend, Rebecca and I flew to Hollywood for the Writers of the Future workshop and awards.  We spent a lot of time talking with the prize-winning writers and artists, and gave a full two-hour workshop on professionalism and managing a writing career.

    On the first night, we went out to dinner with Dr. Harry Kloor and his wife Rayna, and Mike Resnick, a belated birthday celebration for me, since Harry and Mike couldn’t come to Colorado for the official party. After dinner, we went to a formal party to celebrate the anniversary of Yuri Gagarin’s historic flight, the first human in space.

    With Mike Resnick and Yuri Gagarin space art

    Harry Kloor and Mike Resnick must be impressed by my ray gun and spaceman hat

    Kevin J. Anderson, Mike Resnick, Dr. Harry Kloor, Bill Nye the Science Guy

    When we got back to our hotel room, Rebecca and I discovered that the Writers of the Future people had set up their own special birthday stunt—sneaking into our room and stacking up a pyramid of 50 cans of assorted beers (for my 50th birthday).  Quite a wonderful surprise (and plenty of beer with which to be generous for the next few nights.)

    In between obligations, I found working areas in the hotel to finish up my revisions and fourth-draft edit of CLOCKWORK ANGELS: THE NOVEL. Twice, I was able to sneak out to get a coveted In-N-Out Burger for Rebecca and me. On Saturday for lunch, our friend Doane Perry, the drummer for Jethro Tull, drove up to meet us and we drove to Santa Monica for a great Indian meal, hours of conversation…and then back to Hollywood for rehearsal of the Writers of the Future Awards ceremonies.

    Sunday night we attended the Awards (always glitzy, always glamorous, always very satisfying). You can see the full details of the ceremony at the Writers of the Future website. Carolyn Clink took the following photo of all the judges preparing for the event.

    After we came home, we learned the sad news that Writers of the Future coordinating judge and long-time workshop instructor K.D. WENTWORTH had passed away. She was an excellent teacher, dedicated to helping new writers, and was responsible for launching the careers of many successful writers.  You can read a fine appreciation of her at K.D. Wentworth.

     

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    Frank Herbert’s new novel HIGH-OPP—Free Sample Chapter

    Posted By Kevin J. Anderson on April 11, 2012

    With the eBook and print release of Frank Herbert’s never-before-published SF novel, HIGH-OPP, we wanted to give you a sneak preview.  Read the complete first chapter below.

    1

    People averting their faces as they walked past the office door finally wore through his numbness.  Daniel Movius began to clench and unclench his fists.  He jerked out of his chair, strode to the window, stared at the morning light on the river.

    Far out across the river, in silver layers up the Council Hills, he could see the fluting, inverted stalagmites of the High-Opp apartments.  And down below them, the drabness, the smoke, the dismal carpet of factories and Warrens.

    Back into that?  Damn them!

    Footsteps.  Movius whirled.

    A man walked past the door, examined the blank opposite wall of the corridor.  Movius raged inwardly.  Sephus!  You son of a Sep! A woman followed.  Bista!  I’d as soon make love to a skunk!

    Yet only yesterday she had made courting gestures, bending toward him over her desk to show the curves under the light green coveralls.

    He hurled himself into his chair, sent the angry thoughts after them, the words he dared not use.  “Avert your faces, you clogs!  Don’t look at me!”

    Another thought intruded.  In Roper’s name, where was Cecelia?  Was she another averted face?

    Two men appeared in the doorway pushing a handcart loaded with boxes.  Movius did not recognize them, but the LP above their lapel numbers told him.  Workers.  Labor Pool rabbits.  But now he was one of the rabbits.  Back into the LP.  No more special foods at the restricted restaurants, no more extra credit allowance, no Upper Rank apartment, no car, no driver, no more courting gestures from such as Bista.  Today, he was Daniel Movius, EX-Senior Liaitor.

    One of the workmen at the door coughed, looked at the desk plaque which Movius had not yet removed.  “Excuse me, sir.”

    “Yes?”  His voice still held its tone of command.

    The workman swallowed.  “We were told to move the Liaitor files to storage.  Is this…”

    He could see the workmen’s manner change.  “Well, if you’ll excuse us, we have work to do.”  The men came in with an overplayed clatter of officiousness, banging the handcart against the desk.  They turned their backs on him, began emptying files into boxes.

    Stupid low-opp rabbits!

    Movius finished dumping the contents of his desk drawers into the wastebasket, topped the pile with his name plaque.  He saved only a sheet of pale red paper.  The message chute had disgorged the paper onto his desk less than an hour ago, as he’d been sorting the morning mail.

    “Opinion SD22240368523ZX:

    “On this date, the Stackman Absolute Sample having been consulted, the governmental function of Liaitor is declared abolished.

    “The Question:

    “For tax economy reasons, would you favor elimination of the supernumerary department of Liaitor?

    “Yes:  79.238 percentum.

    “No:   .647 percentum.

    “Undecided:  20.115 percentum.

    “May the Majority rule.”

    With motions of thinly suppressed violence, Movius folded the paper, thrust it into a pocket.  “For tax economy reasons!”  They could get a yes-opp matricide for tax economy reasons!

    One last look around the office.  It was a big place, scaled for a large man, an orderliness to it under the apparently random placement of desk, filing cabinets, piled baskets of papers.  There was a smell about the room of oily furniture polish and that kind of bitter chemical odor found in the presence of much paper.  It was a room with an air of dedication and no doubt about it.  Dedication to quadruplicate copies and the-right-way-of-doing-the-job.

    Movius noted that his phone had been dislodged from its cradle beside the desk.  He replaced it, ran a hand through his stubble of close-cropped sandy hair, unwilling now that the moment had come, to say goodbye to this space in which he had worked four years.  The room fitted him like an old saddle or like the body marks in a long-used bed.  He had worn his grooves into the place.

    Low-opped! And with so much unfinished work.  Bu-Opp and Bu-Q were going to be at each others throats before the month was out.  The government was damned soon going to find out it had need for Liaison.  The bureaus were too jealous of their domains.

    Damn them!

    He stared at the workmen.  They had cleared two files, were emptying a third.  Movius was ignored; another discard to be stored away and forgotten.  He wanted to fling himself on the men, knock them into a corner, scatter the papers, wreck things, tear things, destroy.  He turned and walked quietly out of the office, out of the building.

    On the front steps he paused, his eyes seeking out his parking slot in the third row.  There was Navvy London, the driver, leaning against the familiar black scarab shape of the car.  THE CAR—a primary token of authority.  Sunlight shimmered on the flat antenna which spanned the curving roof.  Movius looked up to the left where the scintillant red relay ship hovered above the spire of the prime generator, sending out its invisible flagellae of communication and energy beams from which the city sucked its power.

    He wished for the strength to hurl all of his pent-up curses at this symbol of authority.  Instead, he lowered his eyes, again sought out the car, that tiny extension of the relay ship.  Navvy leaned against the grill in his characteristic slouch, reading a book—one of those inevitably deep things he always carried.  The driver pulled at his lower lip with thumb and forefinger, turned a page.  Movius suspected that some of Navvy’s books were on the contraband lists, but the man was the kind to carry it off.  A look of youthful innocence in his brown eyes, a wisp of black hair down across his forehead to heighten the effect.  “A contraband book, sir?  Great Gallup!  I didn’t think there were any more of those things drifting about.  Thought the government had burned them all.  Fellow handed it to me on the street the other day when I asked what he was reading.”

    Seeing Navvy brought back a disquieting thought:  How had Navvy known about the low-opp?  How did a Labor Pool driver get official information before it became official?

    Movius slipped between the First Rank cars, the Second Rank cars, slowed his pace as he approached the relaxed figure of the driver.

    Navvy sensed Movius’ presence, looked up, pushed himself away from the car.  His young-old face became contemplative.  “Now do you believe me, sir?”

    Movius drew a deep breath.  “How did you know?”

    The contemplative look was replaced by casualness.  “It came over the LP grapevine.”

    “That’s what you said before.  I want to know how.”

    “Maybe you’ll find out now that you’re an LP,” said Navvy.  He turned toward the car.  “Anyplace I can take you?  They haven’t assigned me yet.  They’re still upstairs wrangling over who’ll get my carcass.”

    “I’m no longer privileged, Navvy.  It’s forbidden.”

    “So it’s forbidden.”  He opened the rear door of the car.  “They know where they can put their forbiddens.  One last ride for old time’s sake.”

    Why not? thought Movius.  He shrugged, slipped into the car, felt the solid assurance of the slamming door.  Navvy took his place in front.

    “Where to, sir?”

    “The apartment, I guess.”

    Navvy flicked the power-receiver switch, turned to back the car from its slot.  Movius watched the concentration on the man’s face.  That was one of Navvy’s secrets, a power of concentration, of storing up.  But what about the other secret?

    “Why won’t you tell me how you came by the information?”

    “You’d only accuse me of being a separatist again.”

    Movius felt a humorless smile twitch at his lips, remembering their conversation that morning on the way from the apartment.  Navvy had said, “Sir, probably I shouldn’t be talking, but I’ve word they’re going to low-opp you today.”

    It had been an ice-water statement, doubly confusing because it came from his driver, someone like an extension of the car.

    “Nonsense!  Silly scuttlebutt!”

    “No, sir.  It’s over the grapevine.  The question was put on the eight o’clock.”

    Movius glanced at his watch.  Ten minutes to nine.  They almost always were passing the Bu-Psych Building about this time.  He turned.  There was the grey stone pile, early workers streaming up the steps.

    A question on the eight o’clock?  Movius could picture the returns ticking into the computers—Shanghai, Rangoon, Paris, New York, Moscow… The Comp Section, working at top speed, could have results in two hours.  It was impossible that anyone could know the results of an eight o’clock before ten.  He explained this fact to Navvy.

    “You’ll see,” said Navvy.  “Those autocratic High-Opps have you picked for the long slide down.”

    And Movius remembered he had chuckled.  “The government doesn’t function that way, Navvy.  Majority opinion rules.”

    What a trite set of mouthing’s those were when he thought back on them.  Right out of the approved history books.  Right out of the Bureau of Information blathering.  But these thoughts brought a sense of uneasiness.  He twisted his lapel, looked down at the pale mauve and white of his coveralls, code colors for Tertiary Bureau heads.  All of his clothes would have to be dyed.  He fingered his identification number on the lapel, the red T stitched above the number.  That would be ripped off, LP replacing it.

    Labor Pool!  Damn them!

    Penalty service could scarcely be worse.

    The car was climbing through the privileged section now, Gothic canyons of silvery stone interspersed with green parks.  There was an air of seclusion and reserved quiet in the privileged sections never found in the bawdy scrambling of the Warrens.

    Movius wondered if the word already was out to his apartment manager.

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    Frank Herbert’s new HIGH-OPP now out in print and eBook

    Posted By Kevin J. Anderson on April 10, 2012

    We are proud to publish the eBook and print version of Frank Herbert’s never-released dystopian SF novel HIGH-OPP.  The eBook is available in all electronic formats for $4.99; the print version is in trade paperback for $14.99.

    EMASI!  Each Man A Separate Individual!

    That was the rallying cry of the Seps, the Separatists engaged in a class war against the upper tiers of a society driven entirely by opinion polls.

    Those who score high in the polls, the High-Opps, live in plush apartments, with comfortable jobs, every possible convenience.  But those who happen to be low-opped, find themselves crowded in Warrens, with harsh lives and brutal conditions.

    Daniel Movius, Ex-Senior Liaitor, rode high in the opinion polls until he became a casualty brushed aside by a very powerful man.  Low-opped and abandoned, Movius finds himself fighting for survival in the city’s underworld. There, the opinion of the masses is clear: It is time for a revolution against the corrupt super-privileged. And every revolution needs a leader.

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    Terra Incognita #3: KEY TO CREATION paperback

    Posted By Kevin J. Anderson on April 7, 2012

    Orbit Books just sent me the cover for the paperback of the grand finale of the Terra Incognita trilogy, THE KEY TO CREATION.  Another gorgeous design to fill out the paperback set.  The novel will be released in June.  I hope you have a chance to read the entire trilogy; I think it’s some of my best, most ambitious work.

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    Cruising and Writing: a New Caribbean Seminar

    Posted By Kevin J. Anderson on April 4, 2012

    This coming December, Rebecca and I will be guest instructors at a new writing seminar aboard a Caribbean cruise ship.  For four days, sail around the Bahamas while attending intensive business-oriented lectures about a career in writing.

    In addition to us,  ”Sail to Success” is taught by agent Eleanor Wood, Toni Weisskopf (Baen Books), and authors Mike Resnick, Nancy Kress, Paul Cook, and Jack Skillingstead,  Treat yourself, and learn the business as well.  Space is limited.

    http://www.phoenixpick.com/cruise/cruise.htm

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